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NJCoast News

September  2001

What's Up This Month on the New Jersey Coast

Volume 2, Number 9, page 14

Chris Barry's
SHORE WORLD SEPTEMBER 2001!!

(continued from page 13) chops have evolved into a seriously streamlined surf/punk/dub machine, as an aggressive act that's learned its club gigging lessons well and honed its material for maximum impact.

At venues like The Tradewinds, The Paramount Theatre, Birch Hill and the Stone Pony, the band's opened for legends like surf guitar gods Dick Dale and Gary Hoey, as well as reggae and punk icons like Burning Spear and Murphy's Law, to name a few. Barry and his Penetrators are also strong advocates for The Environment, and have performed at a variety of benefits and causes that express their human interests, such as The Surfrider Foundation and to support creation of local skateparks.

 

They go by the name Barry and the
Penetrators and they are dangerous!.

While the long-awaited 'Beaver Country' CD easily shows these guys off as organic multi-genre masters; It kicks off w/ "Rub a Dub", as Schafer's supple bass sashays about a skankin' backbeat that goad and propel Barry in perfect dubrap foreplay time, with a great boom-snappin' percussion mix. Next, it's the unaffected boogying ballad 'White Trash', where Big B makes the musical moral statement that white trash is only skin deep. Then, its Chili Peppers eat yer' heart out and roll on to your fave place, [and my fave cut] 'Beaver Country", as Barry lays down the word in a grinding, psycho-dub onslaught w/rawly anthemic tones. Pornflik dialog intros the next "I Try", another Ska/Dub tinged ditty with The Penetrators' recurring themes which are ah, seminal factors in the band's sound and lifestyle..

Next, they pull the plug on The Big Toxy, in their ax-vamping declaration against "Ocean Pollution", a gut-quaking boogy statement on the environment, with a vocal muse on how Barry's beach 'used to be'. And what rootsrock powerhouse would cut an album without their own caressing ode to that high holy herb, 'Sensi", that starts out running w/a Specials-era hi-hat/bass riff, with Barry's rockin' white rasta (continued on page 15)

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